Dont forget the balance between video quality and size. a pro-level video editor (I happen to have a copy of Sony Vegas Pro 11. This is something easily achievable in Vegas. You can click settings to adjust the output parameters, like resolution, bitrate, etc. Some of the AVCHD and XAVC S settings are of such high bitrate that they can't. taking a 30fps or 60fps timeline and rendering to 24fps for film-like motion). Often a low Mbps value assigned to a video. This is useful stuff to know - I'm just in the process of migrating from Magix Vegas Pro 16 to Davinci Resolve (or possibly using them side-by-side) and I've often rendered out at different frame rates to the timeline for particular "looks" (e.g. This video shows the importance of the bit rate or the Mbps value assigned when rendering in Sony Vegas Pro (9). all audio processing, video processing and equipment controls) Sep 11. It's *really* handy (for example) if we can take a 60fps timeline and render it at 30fps or (for YouTube) perhaps a 25fps timeline and render it at 50fps (seems to give fewer compression artifacts for the same bitrate when YT re-encodes it to VP9), etc, etc.Īs Resolve becomes a more powerful and general-purpose tool it would be a shame not to support the new markets that are embracing it.Īnother +1 for this here! I'm one of those amateur editors you mention in your posts. A selection of 15 Adobe Lightroom presets based on the looks of Kodak Portra film. other co-worker can have the image sequence ready for importing to his suite (avid, sony vegas, final cut or premiere for editing, flame or nuke. Although Resolve was designed primarily for professional editors (often focused on 24fps) the reality is that it's now being used by a wide range of editors (pro and amateur) who, like myself, end up using quite a variety of frame rates, depending on the actual composition, the cameras available and the look we're going for.
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